Summary
SXSW Film, now in its 17th year, has long been known as a meeting point for disparate niches, where a typical triple feature might include a low-budget, nostar American indie like Aaron Kate's Cold Weather (deemed die hit of die festival after its first screening, it remains without distribution); a one-of-a-kind art-tinged experiment like Jody Lee Lipes's beautifully filmed NY Export:
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Extract
The Year Sxsw Film Broke
The tagline for die recendy concluded 2010 Soudi by Southwest Film Festival was 'Tomorrow Happens Here," slick marketing shorthand for the event's reputation as a test tube for new cinematic trends and a breeding ground for incestuous indie collaborations. The slogan's message was complicated by d...
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